99% Of People Fail To Write Compelling Stories Because They Don't Understand What Makes The Great Stories Great.
In the next few minutes we're going to show you exactly what distinguishes the truly great stories, novels and screenplays, and how you can emulate their underlying patterns and success...
Transform Your Writing With A
Proper Understanding Of Great Storytelling
Here’s Just A Few Things You’ll Achieve When You Join YOUR STORYTELLING POTENTIAL Today...
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Complete understanding of the IDENTIFIABLE TRAITS great novels and screenplays (namely movies) have in common that distinguish them from the other 99.99% of books and screenplays that are written every year.
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Learn how to use TWO STORIES in all of your own screenplays and novels, and exponentially increase the chances of your stories getting recognized.
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Gain a proper understanding of the critical and essential role of SUBPLOTS in great stories in order to create genuine character depth and relationships.
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Master the actual ROLE OF THEME in stories and how to properly integrate a THEME into your own work so that your stories convey deep, relevant and amazing ideas.
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Utilize A/B PARALLEL STORY STRUCTURE and the SIMPLE STORY TIMELINE to build four-dimensional and well-layered stories with the required converging events of the A-Story/B-Story relationship.
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Acquire deep insights about how the Actual Premise Of Nearly Every Great Story is created by the convergence of the A & B Storylines, and how this KEY INFORMATION can unlock Your Own Storytelling Potential!
Turn Your Story Ideas Into Novels and Screenplays With Genuine Layers & Depth
The truth about great storytelling is hidden in plain view for anyone to see, but nearly EVERY EXPERT ignores the most basic story construct. If you want to write GREAT STORIES, you must understand these three essential storytelling rules:
A/B Parallel Structure
The most basic trait that every great story has in common is that they always have Two Converging Stories. In fact, the "premise" of great stories is created by this very convergence.
Thematic Relevance
Nearly every story "expert" teaches that Theme creates the "message" of a story, this is horrible information that is just flat out wrong. In all great stories, Theme links the A-Story to the B-Story.
Simple Story Timeline
The linear graphs used by nearly every "expert" are flat & two dimensional graphs, based on only one storyline. Structure in all great stories follows a predictable pattern of multiple interwoven stories.
If you join Your Storytelling Potential, you also get a copy of "Your Storytelling Potential: The Underground Guide To Finally Writing A Great Screenplay or Novel"
Chapter 1: Hidden, Revealed & Unknown
Chapter 2: The Beginning Is Not The Beginning
Chapter 3: Theme: The Conceptual War
Chapter 4: Three-Branch Reasons & Thematic Connections
Chapter 5: A Journey Of Mind: Logic, Despair, Clarity
Chapter 6: Structural Connection Points
Chapter 7: Twelve Core Elements
Chapter 8: The Theory of Subplot Relativity
Chapter 9: The Simple Story Timeline
Chapter 10: Characters As Cause
Chapter 11: Your Revealed Storytelling Potential
This authoritative guide reveals the deepest secrets about why stories work (and why all the other "experts" are simply wrong).
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This is a Limited Time Early Registration Offer for $750 off the full registration price. When the timer hits zero, the offer expires and you may need to pay the full price of $1500. Limited number of spots available. Price subject to change.
“The way you think about story is better than anyone else out there. And I think the new material and how you think about the interplay between A and B stories and Theme is off the charts helpful. I’m finding this way of thinking of story mind-opening. So much easier to break story this way!"
Zeke Farrow
Your Storytelling Potential
“It's finally starting to sink in. Your course continues to help me focus and arrange the many puzzle pieces of the screenplay which I couldn't do before. It really helps and gives me a better pathway to keep developing my story. I am very excited about my screenplay thanks to your guidance.”
Hope Vinitsky
Your Storytelling Potential
"Amazing piece of work you have developed. Your worksheets, your unique method of thinking about the A-Story and B-story and how subplots enrich both storylines, and the crystalline way of approaching the theme is the most helpful advice I've ever received."
Allan Cram
Your Storytelling Potential
“I never really liked Good Will Hunting when I first saw it -- but you sure brought it alive! You've done that with all the movies you've featured. It's been fascinating. I love your enthusiasm for this. This concept of A and B story is fascinating -- and I intend to master it in my own writing!"
Tracy Cheney
Your Storytelling Potential
“Already it's clearer what my problem is and what everyone's problem is! There's been this nagging pain for all these years that says there's still something missing even though I've read about it obsessively and tried out so many different techniques. It does feel like a veil has been lifted, so I'm thrilled I'm doing this.”
Vinny Murphy
Your Storytelling Potential
"Just wanted to express my thorough enjoyment of your class talking about the duality of storytelling. Your unique insights are allowing me to both tackle new ideas with more confidence and empowering me to crack the mystery of existing script problems with enhanced clarity."
Vanessa Burt
Your Storytelling Potential
