99% Of People Fail To Write Compelling Stories Because They Don't Understand What Makes The Great Stories Great
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This authoritative guide reveals the deepest secrets about why certain stories work and most others fail.
(And why all the "experts" are simply wrong.)
Learn How To Turn Your Story Ideas Into Novels and Screenplays With Genuine Layers & Depth
The truth about great storytelling is hidden in plain view for anyone to see, but nearly EVERY EXPERT ignores the most basic story construct. If you want to write GREAT STORIES, you must understand these three essential storytelling rules:
A/B Parallel Structure
The most basic trait that every great story has in common is that they always have Two Converging Stories. In fact, the "premise" of great stories is created by this very convergence.
Thematic Relevance
Nearly every story "expert" teaches that Theme creates the "message" of a story, this is horrible information that is just flat out wrong. In all great stories, Theme links the A-Story to the B-Story.
Simple Story Timeline
The linear graphs used by nearly every "expert" are flat & two dimensional graphs, based on only one storyline. Structure in all great stories follows a predictable pattern of multiple interwoven stories.
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This is a Limited Time offer for $21 off the current retail price. This price is for a downloadable PDF version ONLY. It does NOT include an actual copy of the book. Worksheets are downloadable. When the timer hits zero, the offer expires and you may need to pay the full price. Limited number available. Price subject to change. No refunds.
Chapters and Contents
Absolutely Essential Information About Stories You MUST Know
That NO ONE Else is Teaching!
Chapter 1: Hidden, Revealed & Unknown
Chapter 2: The Beginning Is Not The Beginning
Chapter 3: Theme: The Conceptual War
Chapter 4: Three-Branch Reasons & Thematic Connections
Chapter 5: A Journey Of Mind: Logic, Despair, Clarity
Chapter 6: Structural Connection Points
Chapter 7: Twelve Core Elements
Chapter 8: The Theory of Subplot Relativity
Chapter 9: The Simple Story Timeline
Chapter 10: Characters As Cause
Chapter 11: Your Revealed Storytelling Potential
Includes FREE Essential Story Building Worksheets:
The ONLY OTHER WAY To Get These Worksheets Is By Joining The $1500 Online Course!
“Describing how a finished story works is not the same as providing guidance for how to make a working story. Seeing how this is done by taking the bits and pieces that are not yet a story and slowing turning those bits and pieces into a story is what makes your course worthwhile."
Laurence Starn
Your Storytelling Potential
“It's finally starting to sink in. Your course continues to help me focus and arrange the many puzzle pieces of the screenplay which I couldn't do before. It really helps and gives me a better pathway to keep developing my story. I am very excited about my screenplay thanks to your guidance.”
Hope Vinitsky
Your Storytelling Potential
"It's starting to click! The A and B story idea is starting to make sense. Thanks for this great course. It really opens up my understanding of how things work together."
Timothy Hicks
Your Storytelling Potential
“Absolutely LOVED yesterday’s session, especially, especially, especially at the 1 hour mark. The only ‘learning’ I’ve done where I never felt frustrated and like I wasted my time was your courses. So thank you. I’m very excited to see where this course will take me now. "
Patti Dansereau
Your Storytelling Potential
“Just finished listening to Live Session #16. I loved it. I loved all of it. Your discussion of the Cause to a Cause for both the A & B-stories is terrific. But what I really loved was what you had to say about the Proximate Cause Character and the Underlying Cause Character. Thanks again for your remarkable seminar. ”
Blake Thomas
Your Storytelling Potential
“The way you think about story is better than anyone else out there. And I think the new material and how you think about the interplay between A and B stories and Theme is off the charts helpful. I’m finding this way of thinking of story mind-opening. So much easier to break story this way!"
Zeke Farrow
Your Storytelling Potential
“Hey Mitch! OMG, absolutely fabulous material. I've read almost all the books and done many courses and this stuff is gold! (I'm doing a lot of unlearning at the moment.) That idea of the start of the story being the blowing up of the (bleep) is genius. Thanks for doing what you do."
Kathy Keats
Your Storytelling Potential
“Dear Mitch. I am in awe. I feel as though I have been catapulted into a new realm. Over some months I have struggled with my story, but by attending your webinars (some on replay) it is as though I have received a massive intravenous infusion of INSIGHT. Thank you.”
Stuart Ungar
Your Storytelling Potential
"Amazing piece of work you have developed. Your worksheets, your unique method of thinking about the A-Story and B-story and how subplots enrich both storylines, and the crystalline way of approaching the theme is the most helpful advice I've ever received."
Allan Cram
Your Storytelling Potential
“I never really liked Good Will Hunting when I first saw it -- but you sure brought it alive! You've done that with all the movies you've featured. It's been fascinating. I love your enthusiasm for this. This concept of A and B story is fascinating -- and I intend to master it in my own writing!"
Tracy Cheney
Your Storytelling Potential
“I love stories, especially thoughtful, interlaced ones but I never understood a story's depth until I came across your presentations. Listening to you, interacting with participants, has been the capstone of my re-awakened desire to write fulfilling stories. I now have all the storytelling tools that are required.”
Ozzie Logozzo
Your Storytelling Potential
"Just wanted to express my thorough enjoyment of your class talking about the duality of storytelling. Your unique insights are allowing me to both tackle new ideas with more confidence and empowering me to crack the mystery of existing script problems with enhanced clarity."
Vanessa Burt
Your Storytelling Potential
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