Your Storytelling Potential helps writers understand what makes great movies & novels so uniquely extraordinary, and then how to apply the specific and unmistakable patterns found in those amazing stories into their own work.
The Tools Used By Professional Storytellers.
They have developed a unique and extremely useful program to assist writers in developing a fool proof story. The best tool for helping map out a successful story.
Rocky Lang, Producer/Director/Writer, White Squall (A Ridley Scott Film), Nervous Ticks, Titanic
Good story telling starts with good structure… and good structure starts with Chapter Control. This software is like structure on steroids. With Chapter Control structure is just done for you. (Very Cool.)
Andy Jenkins, Producer and Partner: Haxan Films
In fact, it was inspiring. I had been struggling with the 3rd act and putting off delivery, but with the help of Plot Control it was like I plowed through a creative wall.
Steven Goldmann, DGA, DGC, Broken Bridges (Paramount), Trailer Park of Terror (Summit)
In the 15 years I’ve been writing for TV and film, I have never come across a system so intuitive to the writer’s needs. This is why movies used to be better than they are now.
Jeremy Miller, Writer/Producer: Entourage, Boston Public, We Are Marshall, Ghost of Girlfriends Past
The way it’s organized, it forces you to fill in the information that makes your story more complete, while at the same time it simplifies the process, so you can keep your mind focused on storytelling.
Cindy Lichtman: Ally McBeal, The Practice
My family is sick of hearing me say how much I love this software, but it’s exciting to use something that forces me to focus on the story, plot, characters, subplots, theme. You’ve made a great product. I love you guys.
Bettie Styurak, Creative Writer Software Client
I finally have a concrete system for outlining. Up until now my spiral notebook of random ideas was my prewriting process, but I can now focus on the use of proper story structure.
Ryan Binse, Creative Writer Software Client
Initially I thought, yeah, just another software I’ll buy and won’t use… but this program is definitely worth its weight in gold. Thank you so much for sharing your remarkable program.
Kim Jacobs, Creative Writer Software Client
“Describing how a finished story works is not the same as providing guidance for how to make a working story. Seeing how this is done by taking the bits and pieces that are not yet a story and slowing turning those bits and pieces into a story is what makes your course worthwhile."
Your Storytelling Potential
“It's finally starting to sink in. Your course continues to help me focus and arrange the many puzzle pieces of the screenplay which I couldn't do before. It really helps and gives me a better pathway to keep developing my story. I am very excited about my screenplay thanks to your guidance.”
Your Storytelling Potential
"It's starting to click! The A and B story idea is starting to make sense. Thanks for this great course. It really opens up my understanding of how things work together."
Your Storytelling Potential
“Absolutely LOVED yesterday’s session, especially, especially, especially at the 1 hour mark. The only ‘learning’ I’ve done where I never felt frustrated and like I wasted my time was your courses. So thank you. I’m very excited to see where this course will take me now. "
“Just finished listening to Live Session #16. I loved it. I loved all of it. Your discussion of the Cause to a Cause for both the A & B-stories is terrific. But what I really loved was what you had to say about the Proximate Cause Character and the Underlying Cause Character. Thanks again for your remarkable seminar. ”
Your Storytelling Potential
“The way you think about story is better than anyone else out there. And I think the new material and how you think about the interplay between A and B stories and Theme is off the charts helpful. I’m finding this way of thinking of story mind-opening. So much easier to break story this way!"
Your Storytelling Potential
“I never really liked Good Will Hunting when I first saw it -- but you sure brought it alive! You've done that with all the movies you've featured. It's been fascinating. I love your enthusiasm for this. This concept of A and B story is fascinating -- and I intend to master it in my own writing!"
Your Storytelling Potential
“I love stories, especially thoughtful, interlaced ones but I never understood a story's depth until I came across your presentations. Listening to you, interacting with participants, has been the capstone of my re-awakened desire to write fulfilling stories. I now have all the storytelling tools that are required.”
Your Storytelling Potential
"Just wanted to express my thorough enjoyment of your class talking about the duality of storytelling. Your unique insights are allowing me to both tackle new ideas with more confidence and empowering me to crack the mystery of existing script problems with enhanced clarity."
Your Storytelling Potential
“Hey Mitch! OMG, absolutely fabulous material. I've read almost all the books and done many courses and this stuff is gold! (I'm doing a lot of unlearning at the moment.) That idea of the start of the story being the blowing up of the (bleep) is genius. Thanks for doing what you do."
Your Storytelling Potential
“Dear Mitch. I am in awe. I feel as though I have been catapulted into a new realm. Over some months I have struggled with my story, but by attending your webinars (some on replay) it is as though I have received a massive intravenous infusion of INSIGHT. Thank you.”
Your Storytelling Potential
"Amazing piece of work you have developed. Your worksheets, your unique method of thinking about the A-Story and B-story and how subplots enrich both storylines, and the crystalline way of approaching the theme is the most helpful advice I've ever received."
Your Storytelling Potential